1 50 22 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fc40b7cd52a575f12136f38f9048fa0d0.JPG 8c02ef557a6bded83eda3aef11bfed56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze Fossil Man Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource A photograph of James L. Acord's "Bronze Fossil Man" sculpture. The artwork depicts a human-like form, appearing skeletal or fossilized, rendered in bronze. The sculpture's design incorporates elements suggestive of ancient remains. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg, bronze Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art bronze drawing Hanford Jim Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F0ebf9c41945da532f5f965e31059525c.jpg 503c8ae074432e9d03563ddc5d2593ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Granite sculpture, newspaper, sketch, blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource A close-up photograph of James L. Acord's sculpture, "Monstrance for a Grey Horse." The sculpture features the carved skull of a horse, crafted from granite, resting atop a large rectangular pedestal. The work combines natural forms with monumental presentation, reflecting Acord's engagement with themes of nuclear materials and their cultural implications. Currently installed on the campus of Southwestern University in Georgetown, Texas, United States. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Medium The material or physical carrier of the resource. stone Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art blueprint drawing granite Hanford Jim Acord Manhattan Project newspaper clippings nuclear nuclear art Richland sculpture sketch Stone https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fca05bf1f3db168818585e8d5d6f3b125.pdf 4422811fc7a8682984fdd846a840a712 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F9aee170e7623762bb38eb8c416d257c9.pdf c7fdba7dbd688f81fe9b80d2a300ef02 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F5280545983440df6ab14fe84cfaea541.pdf f6fcd3f15af2146d76454c7dcf1eca23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Radioactive Material License WN-I0407-1 Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Jim Acord's radioactive material license documents dated September 4, 1992 and May 5, 1993 Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Creator An entity primarily responsible for making the resource State of Washington Radioactive Materials Licensing Format The file format, physical medium, or dimensions of the resource .pdf Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Scripto Transcription A written representation of a document. State of Washington. Radioactive Materials license. The Seal of the State of Washington 1889 Page 1 of 2 Pages. Pursuant to the Nuclear Energy and Radiation Control Act, RCW 70.98, and the Radiation Control Regulations, Chapters 246-220 through 246-255 WAC, and in reliance on statements and representations heretofore made by the licensee designated below, a license is hereby issued authorizing such licensee to transfer, receive, possess and use the radioactive material(s) designated below; and to use such radioactive materials for the purpose(s) and at thee place(s) designated below. This license is subject to all applicable rules and regulations promulgated by the State of Washington Department of Health. 1 1. Licenesee: Name JAMES L. ACORD 2. Address: P. O. Box 159 Richland, Washington 99352 3. Licensee Number: WN-I0407-1 4. Expiration Date: September 30, 1997 5. Reference number(s): 92-07-37; 92-08-12; 92-08-40; 92-09-04 6. Radioaciive Material (element and mass number) A. Uranium (Depleted in Uranium 235) 7. Chemical and/or Physical Form A. Uranium oxide, as sintered ceramic pellets, in breeder-blanket assemblies, manufactured by Siemens Brennelementwerk, a branch of Siemenes AG Interatom (Model/serial numbers YM 20N 001 c through YM 20N 012C) 8. Maximum quality licensee may possess at any one time A. No single source to exceed 42 millicuries (1554 megabecquerels), 12 sources total. CONDITIONS 9. Authorized use. A. For storage only. 10. Radioactive materials shall be stored at Siemens Power Corporation, 2101 Horn Rapids Road, Richland, Washington. 11. The licensee shall comply with the provisions of WAC 246-220 "General Provisions“; WAC 246-221 "Radiation Protection Standards“; WAC 246-222 "Radiation Protection - Worker Rights“; and WAC 246-235 "Specific Licenses“. 12. The Radiation Safety Officer for this program shall be James L. Acord. 13. Radioactive material shall be stored under the supervision of James L. Acord and/or Siemens Power Corporation, operating under their Washington State Radioactive Materials license, WI-1062-1. DOH 322-014 (Rev. 1/91) State of Washington Radioactive Materials License The Seal of the State of Washington 1889 Page 2 of 2 Pages License Number: WN-10407-1 14. The transport of licensed material by the licensee, or the delivery of licensed material to a carrier for transport, shall be in accordance with WAC 246-232-090 "Transportation." 15. The licensee's emergency procedures shall conform to procedures outlined in the Washington State Radiation Emergency Handbook revised November 1991, or subsequent revisions. 16. Contamination and dose rate surveys shall be done of each breeder/blanket assembly, upon receipt, and quarterly thereafter. Records of these surveys shall be kept by the Radiation Safety Officer and made available for inspection by the department upon request. 17. The Department shall be informed: 1) prior to removal of the breeder/blanket assemblies from Siemens Power Corporation, and 2) prior to any work on the assemblies including, machine work, processing, refabrication, or modification of the assemblies. 18. A physical inventory shall be done every 6 months to account for the 12 breeder assemblies. The records of these inventories shall be maintained for inspection by the department. 19. Except as specifically provided by this license, the licensee shall store radioactive material described in Items 6, 7, and 8 of this license in accordance with statements, representations and procedures contained in the documents listed below. The department's "Rules and Regulations for Radiation Protection" shall govern the licensee’s statements in applications or letters, unless the statements are more restrictive than the regulations. A. Application and attachments dated July 7, 1992. B. Letter and attachments dated August 6, 1992; letter dated August 26, 1992 with attached letter dated February 25, 1992; and letter and attachments dated August 31, 1992, including another letter dated August 31, 1992, RE: Initial application. Date September 4, 1992 FOR THE STATE OF WASHINGTON DEPARTMENT OF HEALTH By (signed) Debra McBaugh Radioactive Materials Licensing DOH 322-0134 (Rev. 12/90) State of Washington Radioactive Materials License The Seal of the State of Washington 1889 Page 1 of 1 Pages License Number: WN-I0407-1 Amendment No. 1 JAMES L. ACORD Post Office Box 159 Richland, Washington 99352 Attention: James L. Acord Radiation Safety Officer In accordance with letter and attachments dated April 20, 1993, Radioactive Materials License Number WN-I0407-1 is amended as follows: License Condition 19.C is added: 19 . C. Letter and attachments dated April 20, 1993, RE: revised radiological survey form and storage diagram. Date May 5, 1993 (93-05-05) FOR THE STATE OF WASHINGTON DEPARTMENT OF HEALTH By (signed) Pamela J. Walsh. (for) Bebra McBaugh Radioactive Materials Licensing DOH 322·013A (Rev. 12/90) Art drawing Hanford Jim Acord Manhattan Project nuclear nuclear art radioactive material license Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F8f1cf26f3c5f06f680c0d15669ceaa3a.tif fa371377dd95ce6115be09057423143c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Certificate, hand written calligraphy Physical Dimensions The actual physical size of the original image 11"x14" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The American Nuclear Society Special Award fo Nuclear Public Communication Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource An award presented to Jim Acord on June 21, 1994 Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Date A point or period of time associated with an event in the lifecycle of the resource June 21, 1994 Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items Creator An entity primarily responsible for making the resource Americn Nuclear Society Format The file format, physical medium, or dimensions of the resource .pdf Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Scripto Transcription A written representation of a document. The American Nuclear Society Presents its Special Award for Nuclear Public Communication to James L. Acord For his selfless dedication, uncommon style and wit. He continuously presents the beauty and logic of nuclear science not only to colleagues, but also to other nontech- nical and adversarial audiences hitherto unreached by messages from the technical community. By order of the Board of Directors (signed) Edward D. Fuller, President (signed) James G. Toscas, Executive Director June 21, 1994 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F75077950ffdba09be55bbcbd71b7cdc4.pdf c4168e8025ba0dce1bf65fec154027cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CHRONICALS - Nuclear Material into Art Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Also known as - "THE Book" - A compilation of documents related to sculptor James L. Acord's nuclear materials into art projects. It details his extensive efforts to acquire depleted uranium breeder-blanket assemblies from Siemens AG and secure the necessary radioactive materials licenses from U.S. and Washington State authorities. The compilation includes correspondence regarding shipping requirements and licensing, as well as technical descriptions of the nuclear materials. Furthermore, it outlines general guidelines for radiation emergencies and features a sketch of his proposed sculpture intended to house these materials. This collection illuminates the complex interplay between art, nuclear technology, and regulatory processes in Acord's work. Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Creator An entity primarily responsible for making the resource Acord, James Date A point or period of time associated with an event in the lifecycle of the resource January 1993 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F8cf2b9e1badda74d1d1cda46f29b26eb.pdf 0844443469c9fc211aaed5a01101944a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CIVILIZATION, a 911 show in 4 parts Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource This project was designed as an evolving installation and event that explores the creation of art, its societal influence, and the reciprocal effects on the artist and the artwork itself. Key to the installation were two sculptures then in progress: "Monstrance for a Grey Horse," described as a multi-ton granite carving intended to contain nuclear waste, and "Home Reactor," a piece fashioned from ceramic, glass, and water. These sculptures were to augment the new avenues for artistic development they fostered. A significant emphasis was placed on collaboration with a variety of artists, disciplines, and technologies. The proposed Belltown Coliseum site was to be delineated into a "nuclear-free zone" for the audience and a "restricted zone" for exhibits and performances. This restricted area, set back from the viewing space, would house the core installation and performance elements. The two primary sculptures were intended to flank the stage, complemented by "flat-art" on the east and west walls. The south wall, positioned behind the performance stage, was designated for a multi-projector slide show, video monitors, computer-generated images, sound equipment for prepared tapes and live performance, as well as additional radiation monitoring equipment. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Date A point or period of time associated with an event in the lifecycle of the resource January 1989 Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .pdf Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Jim Acord Manhattan Project nuclear nuclear art nuclear materials performance art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F50b62577d62052f764fafaef63e82383.pdf b74c0129352bac3c713f6b1d9481c9d8 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fa110a479d35481b7fe358ebcfd725115.jpg b2980397e23496a5adec4fa29846010d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper copies from journalistic magazines. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What You Should Know About Fiesta Ware Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource This article provides information for Fiesta Ware owners regarding the use of these ceramic pieces, recommending they be used for display rather than dining due to safety considerations. The piece examines the history of uranium-glazed tableware from its 1930s origins, when manufacturers utilized uranium oxide to produce distinctive glazes, particularly the red-orange hues associated with the Homer Laughlin Company’s Fiesta line, through several decades of consumer use until scientific research on radiation exposure led the Nuclear Regulatory Commission to ban uranium glazes in the 1970s. The article's examination of how everyday household objects contained radioactive materials would have provided relevant context for Acord's artistic investigations into the relationship between nuclear technology and domestic life, offering concrete examples of how atomic materials were integrated into consumer products during the mid-20th century. Creator An entity primarily responsible for making the resource Noye, Carolyn B. Source A related resource from which the described resource is derived Country Living, February 1988, vol. 11, iss. 2, p. 90 Publisher An entity responsible for making the resource available Hearst Magazines, Inc. Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .pdf, .jpg Date A point or period of time associated with an event in the lifecycle of the resource February 1988 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Fiestaware Hanford James Acord Jim Acord Manhattan Project nuclear nuclear art nuclear materials performance art Richland sculpture sketch uranium extraction https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F7ebfcea71e2ee675e1e9ce952f19d369.pdf 2345ceb1fe9bc7a8b86ee3554264331c https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F5714ba77f8cfe30c2d4e6b8034781012.jpg 5908acaedd73d49074de96e1f49866f4 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Faa117aa00cafc3fddd5fe7c2e205841e.jpg 0d1fde284a30c37853f83531e623bbe5 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F9a854852706731ba8c40151a95efab46.jpg 12f75779634e7929d2a880d7e14711f0 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F049611806dbc07e2f8c3d32c56e55474.jpg 20798c7e68bb26a0d982e9af87079c34 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Use of Uranium in Ceramic Tableware Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource This U.S. Nuclear Regulatory Commission document from August 1978 examines uranium use in ceramic tableware, tracing its application in glassware manufacturing through the development of various uranium-containing formulations for consumer products. The study presents technical data including spectral analysis charts, radiation measurements, dose calculations for population exposure, and a table of radionuclides found in tableware with corresponding beta energy doses. The research incorporates field measurements from survey-meter readings of typical place settings and specific Fiestaware samples, with calculations indicating that extended contact with radioactive tableware could result in measurable radiation doses to users. Creator An entity primarily responsible for making the resource Simpson, Robert E. and F. G. D. Shuman Source A related resource from which the described resource is derived Radioactivity in Consumer Products Publisher An entity responsible for making the resource available U.S. Nuclear Regulatory Commission, Bureau of Radiological Health Date A point or period of time associated with an event in the lifecycle of the resource August 1978 Format The file format, physical medium, or dimensions of the resource .pdf, .jpg Rights Information about rights held in and over the resource Those interested in reproducing part or all of this oral history should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for this item. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F51f604360394e0340250bc29bd17af48.pdf 944fed69673cee74b38cb55cc79b41d1 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fc462552f9d7abee611087f08563a3083.jpg a1cefa41ea77fd37a7da333e64971057 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fa6975f0bd947117a7d5df273d7b7c681.jpg 926805f5d15205bbfdfe52700e5f520b https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F89dc152310a22c893c2c5b303527525c.jpg f48bcdf32cd126d274621d376b9e6bd0 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F45c536fb0daf3bdc487af9231ba809e4.jpg cc520be9f01dcb560ac6da7f19e3a18c https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fc49471d8c47193094f9c1dff7ebc63e8.jpg e485fd7de71ee86ad736b5a122ef3a75 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F8d5d0f1e7239b829bad5968d2c88e60b.jpg e955c7d042b4743061a1fe944c342147 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F4aca1c9963972af619cc6cf0217ea55e.jpg 72499ac8caa1f1f41e80adeaf509643c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Leaching of Uranium from Glass and Ceramic Foodware and Decorative Items Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource An examination of uranium leaching from glass and ceramic items, testing 35 uranium-containing samples including glassware and Fiestaware when exposed to acidic solutions. The study documents uranium content and leaching characteristics through detailed measurements, with particular focus on red-orange Fiesta ceramic pieces that showed significant uranium levels. The authors conclude that while uranium ingestion hazards are generally minimal under normal use, significant leaching occurs when acidic solutions contact uranium-bearing glazes, suggesting these items may be more suitable for display rather than food service. Creator An entity primarily responsible for making the resource Landa, Edward R. and Terry B. Councell Source A related resource from which the described resource is derived Health Physics: The Radiation Protection Journal, vol. 63, no. 3, Sept 1992 Publisher An entity responsible for making the resource available The Health Physics Society Date A point or period of time associated with an event in the lifecycle of the resource September 1992 Rights Information about rights held in and over the resource Those interested in reproducing part or all of this oral history should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for this item. Format The file format, physical medium, or dimensions of the resource .pdf Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Fiestaware Hanford James Acord Jim Acord Manhattan Project nuclear nuclear art nuclear materials performance art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F671916021cf472a445e3f3ca503f8055.jpg 977a25237100cbd31ce6ac8cf9c74837 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource A close-up photograph of James L. Acord's sculpture, "Monstrance for a Grey Horse." The sculpture features the carved skull of a horse, crafted from granite, resting atop a large rectangular pedestal. The work combines natural forms with monumental presentation, reflecting Acord's engagement with themes of nuclear materials and their cultural implications. Currently installed on the campus of Southwestern University in Georgetown, Texas, United States. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F119a1ca7172650c0c536d6a5e9fedf16.jpg a28789f0d0beae0e6da41ae1fd07c246 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse, technical drawing Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource A technical drawing depicting a conceptual design of Monstrance for a Grey Horse. The drawings indicate the overall structure and design, and white measurement lines with numerical annotations (e.g., "8'-0"", "5'-0"") are present on both sides, indicating the planned dimensions of the sculpture. With uranium core represented with a red overlay. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Ff7771dd54cc342eb8af674c23f6ab7f3.jpg 2cfa826f773e6b2ada7198e7dd6f84f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse, technical drawing Subject The topic of the resource Nuclear Science and Fine Art Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Description An account of the resource A technical drawing depicting a conceptual design of Monstrance for a Grey Horse. The drawings indicate the overall structure and design, and white measurement lines with numerical annotations (e.g., "8'-0"", "5'-0"") are present on both sides, indicating the planned dimensions of the sculpture. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F6354cda532a6cd94fdf92da781dca193.jpg 3a951639c1c4282dc25e722db77be4bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fileDerivatives.strategyOptions.gravity = "north" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse, sketch Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource A sketch of Monstrance for a Grey Horse featuring and exploded view of the various components of the pedestal. With the uranium core insert indicated. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this oral history should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for this item. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fba7d6907c74253a1c21ecfd904ce58b3.jpg d62b97df857fd098f331e3a04d16eb91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Uranium Core insert for Monstrance for a Grey Horse Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Sketch from 1987 depicting a design for the MKII cannister for use as the uranium core insert in Monstrance for a Grey Horse. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fd661075ea9251780bffc9d107d90092f.jpg 1e7baf784e2042c26f043c517430b7ce https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F3ea86e97bbbaff434d818cecde1a0e73.jpg 9bf68adb22b784207243c54307ce1a96 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F305bb9d009068449e70ffeba76cf727c.jpg ba849ccb9d1fae81fe0513037d68a5f4 https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fa52b4b9c573f615feae39cdbda92f237.jpg 09d27ac6d2417ac579e949103468b0e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atomic Art Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource This collection of scanned newspaper pages comprises an article from the "Arts/Entertainment" section of The Seattle Times and Seattle Post-Intelligencer, published on Sunday, July 2, 1989. The prominent headline on the first page reads "ATOMIC ART," with a sub-headline stating, "SCULPTOR'S N-WASTE PROJECT MAY BE OF MONUMENTAL IMPORTANCE." The article, authored by Times Art Critic Deloris Tarzan Ament focuses on James Acord and his work, particularly his "nuclear-cored" sculptures and performance art, which engage with themes of nuclear waste and materials. Creator An entity primarily responsible for making the resource Ament, Deloris Tarzan Publisher An entity responsible for making the resource available The Seattle Times, Seattle Post-Intelligencer Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource Newspaper, .pdf Date A point or period of time associated with an event in the lifecycle of the resource July 2, 1989 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F3042c81994ecfdd89093e1fea317c852.jpg 7a23d6173b3c540814051047812d24f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse - Stored Outside Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource This photograph depicts the sculpture "Monstrance for a Grey Horse" situated outdoors beside Acord’s studio. The sculpture is staged among a collection of tumbleweeds and other sculptural or industrial materials. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F822382a58a5035b580525e2a80f4a7a9.jpg 7bbc6392f9a24c8ea1340a84687c0766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse, sketch Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Conceptual drawing of "Monstrance for a Grey Horse" featuring the MK II cannister design for housing radio active materials. The detailed illustration indicates artistic planning stages Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Art atomic art drawing Hanford James Acord Manhattan Project nuclear nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2Fd45292cc3f856004c0fb0d31a116e7db.jpg c686641d3580a288ce6da6b8faf6ea8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse, sketch (technical) Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Technical drawing depicting the conceptual design of "Monstrance for a Grey Horse”. The illustration presents a front elevation view of the proposed sculpture with detailed measurements with the iconic stylized horse skull atop a multi-layered pedestal. Hand annotations specify the sculpture's dimensions. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). atomic art drawing Hanford James Acord Manhattan Project nuclear art Richland sculpture sketch https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F416fbe63752b580ad01bf07b7b67b6ca.jpg f21a77825a91a6b38961e2abaeaa9983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monstrance for a Grey Horse, close-up Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource A detailed close-up photograph of James Acord's sculpture Monstrance for a Grey Horse. The image highlights the texture and natural patterns of the granite material, emphasizing the form and craftsmanship of the sculpture. The photograph underscores the artistic and conceptual qualities of the piece illustrating aspects of contemporary sculpture and stone art. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). atomic art Hanford James Acord Manhattan Project nuclear art nuclear materials Richland https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F5d3875df528fa4ea5f3ce3fbba8cc05f.jpg fa0e4217cdcf2101cc83034d752d658d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The artist at work on Monstrance for a Grey Horse Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Black and white photograph showing sculptor James Acord working on Monstrance for a Grey Horse in his workshop. The artist is bent over a large block of granite, using carving tools to shape what would become the horse skull sculpture. The granite block appears to be in an intermediate stage of carving, with the rough form of the horse skull beginning to emerge from the raw stone. The photograph captures the intensive, physical nature of stone carving, documenting the artist's process during the ten-year creation of this significant sculptural work that would later be installed at Southwestern University in Georgetown, Texas. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). atomic art Hanford James Acord Manhattan Project nuclear art nuclear materials Richland https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F0305cd1adf4742d55d3474e94ba8911e.jpg 2d896a81c7a87efe3005c6f4c7344591 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hood for Monstrance for a Grey Horse Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource Color photograph showing the right side of the hood fabricated as a conceptual component for his sculpture Monstrance for a Grey Horse. The hood features stylized forms echoing the horse skull design of the main sculpture. This element is not currently displayed with the sculpture at its Texas location, as the hood was never completed. The photograph was likely taken within Acord’s workshop, emphasizing the creative process and technical construction behind the work. The hood exemplifies Acord’s integration of form and nuclear art concepts. Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part, or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). atomic art Hanford James Acord Manhattan Project nuclear art nuclear materials Richland https://s3-us-west-2.amazonaws.com/omeka-hhp%2Foriginal%2F626a1e737491c3530315d7c59f0f07a7.jpg b4daf5ba699fa14f849f24f6a09a83db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James L. Acord, sculptor Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Leroy Acord (1944–2011) was an artist recognized for his work with radioactive materials. His artistic practice involved creating sculptures and events that engaged with the history of nuclear engineering and addressed questions surrounding the long-term storage of nuclear waste. The James L. Acord archival collection chronicles the life, career, and legacy of Acord, who was the only private individual to be licensed for the artistic use of radioactive materials. Acord’s work is characterized by his efforts to combine nuclear science with contemporary sculpture. His nuclear license number was tattooed on his neck. For 15 years, Acord resided in Richland, Washington, a community established for the Hanford Nuclear Reservation. While there, he developed a proposal to construct a "Nuclear Stonehenge" on a contaminated section of the Hanford site, which would have incorporated twelve uranium breeder-blanket assemblies. He also created the sculpture, "Monstrance for a Grey Horse," which is located at Southwestern University in Georgetown, Texas. Acord lectured at art and nuclear industry events in both the United States and the United Kingdom. He also organized forums that convened artists, activists, and nuclear industry experts. From 1998 to 1999, he held an Artist in Residence position at Imperial College London. He died in Seattle on January 9, 2011, at the age of 66. Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990). Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Acord with Monstrance for a Grey Horse Subject The topic of the resource Nuclear Science and Fine Art Description An account of the resource James Acord stands with his back to the camera, revealing the neck tattoo of his nuclear materials handler's number, in front of "Monstrance for a Grey Horse." Creator An entity primarily responsible for making the resource Acord, James Publisher An entity responsible for making the resource available Hanford History Project at Washington State University Tri-Cities Rights Information about rights held in and over the resource Those interested in reproducing part or all of this oral history should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for this item. Format The file format, physical medium, or dimensions of the resource .jpg Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Hanford History Project (HHP) operates under a sub-contract from Hanford Mission Integration Services (HMIS), who are a primary contract for the US Deparment of Energy's curatorial services for the Hanford Site. HHP proudly manages the Department of Energy's Hanford Collection, an artifact and archival collection that documents the Manhattan Project and Cold War history of the Hanford Site (1943-1990).