Browse Items (4765 total)
Sort by:
TEDF MH-F1 Sigh
"1 photograph: col.; 12.7 x 17.8 cm.
A blue sign with white text ""TEDF MH-F1""."
A blue sign with white text ""TEDF MH-F1""."
Large Building Under Construction
"1 photograph; 20.6 x 25.3 cm.
Large building undergoing construction, lots of cars nearby as well as houses in the background. Text on back of image reads: ""Hanford Works; Photo No. 9; Area Carmicheal; Date 9-22-48""."
Large building undergoing construction, lots of cars nearby as well as houses in the background. Text on back of image reads: ""Hanford Works; Photo No. 9; Area Carmicheal; Date 9-22-48""."
Two unknown men standing in snow
Man wearing W on Sweater with WB belt buckle, along with another man next to him (Possibly George Gilhuly).
Two people looking at a foundation
Two people in front of what once was a home/building, during a reunion visit in 1968.
Bronze Fossil Man
A photograph of James L. Acord's "Bronze Fossil Man" sculpture. The artwork depicts a human-like form, appearing skeletal or fossilized, rendered in bronze. The sculpture's design incorporates elements suggestive of ancient remains.
Monstrance for a Grey Horse
A close-up photograph of James L. Acord's sculpture, "Monstrance for a Grey Horse." The sculpture features the carved skull of a horse, crafted from granite, resting atop a large rectangular pedestal. The work combines natural forms with monumental…
CHRONICALS - Nuclear Material into Art
A compilation of documents related to sculptor James L. Acord's nuclear materials into art projects. It details his extensive efforts to acquire depleted uranium breeder-blanket assemblies from Siemens AG and secure the necessary radioactive…
CIVILIZATION, a 911 show in 4 parts
This project was designed as an evolving installation and event that explores the creation of art, its societal influence, and the reciprocal effects on the artist and the artwork itself.
Key to the installation were two sculptures then in progress:…
Key to the installation were two sculptures then in progress:…
Monstrance for a Grey Horse
A close-up photograph of James L. Acord's sculpture, "Monstrance for a Grey Horse." The sculpture features the carved skull of a horse, crafted from granite, resting atop a large rectangular pedestal. The work combines natural forms with monumental…
Monstrance for a Grey Horse, technical drawing
A technical drawing depicting a conceptual design of Monstrance for a Grey Horse. The drawings indicate the overall structure and design, and white measurement lines with numerical annotations (e.g., "8'-0"", "5'-0"") are present on both sides,…
Monstrance for a Grey Horse, technical drawing
A technical drawing depicting a conceptual design of Monstrance for a Grey Horse. The drawings indicate the overall structure and design, and white measurement lines with numerical annotations (e.g., "8'-0"", "5'-0"") are present on both sides,…
Monstrance for a Grey Horse, sketch
A sketch of Monstrance for a Grey Horse featuring and exploded view of the various components of the pedestal. With the uranium core insert indicated.
Uranium Core insert for Monstrance for a Grey Horse
Sketch from 1987 depicting a design for the MKII cannister for use as the uranium core insert in Monstrance for a Grey Horse.
Monstrance for a Grey Horse Stored Outside
This photograph depicts the sculpture "Monstrance for a Grey Horse" situated outdoors beside Acord’s studio. The sculpture is staged among a collection of tumbleweeds and other sculptural or industrial materials.
Monstrance for a Grey Horse, sketch
Conceptual drawing of "Monstrance for a Grey Horse" featuring the MK II cannister design for housing radio active materials. The detailed illustration indicates artistic planning stages
Monstrance for a Grey Horse, sketch (technical)
Technical drawing depicting the conceptual design of "Monstrance for a Grey Horse”. The illustration presents a front elevation view of the proposed sculpture with detailed measurements with the iconic stylized horse skull atop a multi-layered…
Monstrance for a Grey Horse, close-up
A detailed close-up photograph of James Acord's sculpture Monstrance for a Grey Horse. The image highlights the texture and natural patterns of the granite material, emphasizing the form and craftsmanship of the sculpture. The photograph underscores…
The artist at work on Monstrance for a Grey Horse
Black and white photograph showing sculptor James Acord working on Monstrance for a Grey Horse in his workshop. The artist is bent over a large block of granite, using carving tools to shape what would become the horse skull sculpture. The granite…
Hood for Monstrance for a Grey Horse
Color photograph showing the right side of the hood fabricated as a conceptual component for his sculpture Monstrance for a Grey Horse. The hood features stylized forms echoing the horse skull design of the main sculpture. This element is not…
The Hanford Story
15 x 23 cm: AEC booklet recounting the history of Hanford from the Manhattan Project to the N-Reactor
Interview with Edward Ash, Sr.
Edward Ash, Sr. moved to Pasco, Washington in 1947 and worked on the Hanford Site from 1947-1981.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the…
Interview with Virginia Crippen
Virginia Crippen moved to Pasco, Washington in 1948 and was a successful business owner.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of…
Interview with Benny Haney
Benny Haney moved to the Tri-Cities in 1944 to work on the Hanford Site.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
Interview with Luzell Johnson
Luzell Johnson moved to Pasco, Washington in 1944 to work on the Hanford Site.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
Interview with Thomas Moore
Thomas Moore moved to Pasco, Washington in 1949 and opened many local businesses.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of…
Interview with Olden Richmond
Olden Richmond moved to Pasco, Washington in 1943 to work on the Hanford Site.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
Interview with James Pruitt
James Pruitt moved to the Tri-Cities in 1948 and was influential in civil rights movements.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives…
Interview with Cornelius Walker
Cornelius Walker moved to the Tri-Cities in 1948 to work on the Hanford Site.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
Interview with Velma Ray
Velma Ray moved to Pasco, Washington to work on the Hanford Site during the Manhattan Project.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the…
Interview with Joe Williams
Joe Williams moved to the Tri-Cities in 1943 to work on the Hanford Site.
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
An interview conducted by the African American Community Cultural and Educational Society (AACCES) as part of an oral history project documenting the lives of African…
Didier Family
The Didier family posing with a "C" tractor. Alice and Don with their children (from left to right), Curt, Clint, and Denise.
Chris and Denise
Chris and Denise Didier posing at the family homestead.
Don and Curt.
Don and Curt Didier pose in front of their homestead tent. Alice Didier can be seen inside the tent.
Clint and Curt
Clint and Curt Didier pose in front of a truck at the Didier homestead.
Didier Homestead
Photograph of the Didier homestead with heavy equipment clearing sagebrush in the background
Didier Homestead
View of uncleared land at the Dider homestead near Eltopia, WA
Atomic Art
This collection of scanned newspaper pages comprises an article from the "Arts/Entertainment" section of The Seattle Times and Seattle Post-Intelligencer, published on Sunday, July 2, 1989. The prominent headline on the first page reads "ATOMIC ART,"…
ANS Local Section Exhibit Award
Wanda Munn receiving the American Nuclear Society Local Section Exhibit Award
Associate Member, American Nuclear Society
Certificate of Associate Membership in the American Nuclear Society
The American Nuclear Society Special Award fo Nuclear Public Communication
An award presented to Jim Acord on June 21, 1994
Anderson Family History
These were handwritten and typed responses to a questionnaire sent out by the White Bluffs-Hanford Pioneer Association, for its 38th Anniversary or Reunion Booklet (sometime in the 1980’s).
Anglin Family History
These were handwritten and typed responses to a questionnaire sent out by the White Bluffs-Hanford Pioneer Association, for its 38th Anniversary or Reunion Booklet (sometime in the 1980’s).
Walking Tour Sketches
Hand-drawn sketches of sites on the East Pasco Walking Tour, currently under construction for the National Park Service Manhattan Project National Historical Park app. Estimated date of public availability is FY2027.
Radioactive Waste Management
21.5 x 28 cm: Booklet showing the process of waste management at Hanford